Video Transfer - (Archiving) Prices
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Basic Video Transfer up to 30 min $16.00 ea.
Basic Video Transfer up to 60 min $20.00 ea.
Basic Video Transfer up to 90 min $25.00 ea.
Basic Video Transfer up to 120 min $30.00 ea.
Extra DVD copies $9.00 ea.
Basic Video Transfer up to 60 min $20.00 ea.
Basic Video Transfer up to 90 min $25.00 ea.
Basic Video Transfer up to 120 min $30.00 ea.
Extra DVD copies $9.00 ea.
Formats Supported: Mini-DV, Hi-8, S-VHS and VHS
35mm Slides - $1.00ea
1000 slides max per DVD
1000 slides max per DVD
| 2 Hours max per DVD +/-R output |
| 8mm and Super 8 transfer to DVD is now available - .20 per foot |
Film Footage Guide
History
In 1932 "Cine Kodak Eight" or regular 8 movie film also known as Double 8 and Standard 8, was
introduced by the Eastman Kodak Company. Utilizing a special 16mm film which had double the
number of perforations on both sides, the film maker would run the film through the camera in one
direction, then reload and expose the other side of the film, the way an audio cassette is used today.
The film was then slit lengthwise after development in the film processing laboratory, and spliced one
end to the other, yielding fifty feet of finished 8 mm movies. Since the 8 mm frame was one-quarter
the size of 16 mm film frame, this method reduced by a factor of four the amount of film necessary to
give the same running time. The success of 8mm film was almost immediate, and within about fifteen
years, 16 mm film became almost exclusively a format of the professional filmmaker. By the 1950's, 8
mm home movie cameras were a common sight at family parties, special events and on vacations.
Regular 8 was usually exposed at 18 frames per second, most regular eight film is silent with a few
exceptions. The use of Regular 8 film began to decline in the late 1960's due to the advent on the
Super8 format.
In 1932 "Cine Kodak Eight" or regular 8 movie film also known as Double 8 and Standard 8, was
introduced by the Eastman Kodak Company. Utilizing a special 16mm film which had double the
number of perforations on both sides, the film maker would run the film through the camera in one
direction, then reload and expose the other side of the film, the way an audio cassette is used today.
The film was then slit lengthwise after development in the film processing laboratory, and spliced one
end to the other, yielding fifty feet of finished 8 mm movies. Since the 8 mm frame was one-quarter
the size of 16 mm film frame, this method reduced by a factor of four the amount of film necessary to
give the same running time. The success of 8mm film was almost immediate, and within about fifteen
years, 16 mm film became almost exclusively a format of the professional filmmaker. By the 1950's, 8
mm home movie cameras were a common sight at family parties, special events and on vacations.
Regular 8 was usually exposed at 18 frames per second, most regular eight film is silent with a few
exceptions. The use of Regular 8 film began to decline in the late 1960's due to the advent on the
Super8 format.
Reel measures 3" 50 ft.
Reel measures 4" 100 ft.
Reel measures 5" 200 ft.
Reel measures 6" 300 ft.
Reel measures 7" 400 ft.
Reel measures 4" 100 ft.
Reel measures 5" 200 ft.
Reel measures 6" 300 ft.
Reel measures 7" 400 ft.
Prices subject to change without notice!
$9.00 charge per DVD
for label re-prints due to
incomplete information
provided to FCDD
for label re-prints due to
incomplete information
provided to FCDD